What is the song form for the Count Basie tune Lester Leaps In?
What is the song form for the Count Basie tune Lester Leaps In?
He recorded “Lester Leaps In” with a septet on September 5, 1939. His version is reminiscent of the swing style of the ’30s. The song, which started as a “head arrangement,” was a part of the Basie band book for many years….
| Buddy Feyne and Lester Young | ||
|---|---|---|
| Year | Rank | Title |
| 1949 | 712 | “Jumpin’ with Symphony Sid” |
What form is Lester Leaps In?
“Lester Leaps In” is a jazz standard originally recorded by Count Basie’s Kansas City Seven in 1939. The composition, credited to the group’s tenor saxophone player Lester Young, is a head arrangement based on the chord progression of “I Got Rhythm”, and serves as a vehicle for interweaving solos by Young and Basie.
Who is the soloist in Lester Leaps In?
Featuring alternating solos by Count Basie and Lester Young the website Three Perfect Minutes lists “Lester Leaps In” as a “study in minimalism”, with Basie and Young seeing who could do the most with the least. Eddie Jefferson wrote lyrics, dubbed “I Got the Blues”.
Is Lester Leaps In a riff tune?
Lester Leaps In is a song recorded by Count Basie and the Kansas City Seven in 1939 and it featured Lester Young on the tenor sax. The song is a 32-bar, AABA, riff tune on Rhythm Changes.
What was the original name of Basie one o’clock jump?
Among their repertoire was a collectively conceived 12-bar blues “head arrangement”– created at least in part by Smith and Durham, and initially known as “Blue Ball”–that became the foundation for Basie’s “One O’Clock Jump.” Waxed for Jack Kapp’s Decca label on July 7, 1937, this simple riff-driven routine supporting …
What style of jazz is one o’clock jump?
bar blues
“One O’Clock Jump” is a jazz standard, a 12-bar blues instrumental, written by Count Basie in 1937….One O’Clock Jump.
| “One O’Clock Jump” | |
|---|---|
| Recorded | July 7, 1937, New York, NY |
| Genre | Jazz |
| Length | 3:02 |
| Label | Decca 1363 |
How was bebop formed?
Bebop pioneers: In the early 1940s, an innovative group of jazz musicians set out to create a new, more challenging style of jazz. The essence of bebop was born during late-night jam sessions with the Earl Hines Orchestra at Milton’s Playhouse in Harlem, New York.
Why was jazz in Kansas City so successful?
While jazz began in the 1920s with a bang, it flourished in the 1930s, mainly as a result of political boss Tom Pendergast. During prohibition, he allowed alcohol to flow in Kansas City. As an entertainment center, Kansas City had no equal during these dry times.
What did Count Basie do?
A pianist, Count Basie played vaudeville before eventually forming his own big band and helping to define the era of swing with hits like “One O’Clock Jump” and “Blue Skies.” In 1958, Basie became the first African American male recipient of a Grammy Award.
Who recorded one o’clock jump?
Count Basie
Benny Goodman
One O’Clock Jump/Artists
What are 5 of the most significant characteristics of the bebop style?
A lean, edgy tone; the use of blues inflections; frequent double-time sixteenth-note runs; many recognizable bebop-style licks; the use of scale-chord relationships resulting fro extended harmonies; disjointed, irregularly accented melodic lines.
How long did the bebop era last?
In fact, bebop would serve as an influence for every genre of jazz that followed, despite its remarkably short lifespan – bebop only served as the main style of jazz for about four years.
What is the meaning of Lester Leaps In?
Lester Leaps In. ” Lester Leaps In ” is a jazz standard originally recorded by Count Basie ‘s Kansas City Seven in 1939. The composition, credited to the group’s tenor saxophone player Lester Young, is a head arrangement based on the chord progression of ” I Got Rhythm “, and serves as a vehicle for interweaving solos by Young and Basie.
Who originally sang Lester Leaps In?
“Lester Leaps In” is a jazz standard originally recorded by Count Basie’s Kansas City Seven in 1939.
What is the chord progression of the song Leaps In?
Lester Leaps In. The composition, credited to the group’s tenor saxophone player Lester Young, is a head arrangement based on the chord progression of ” I Got Rhythm “, and serves as a vehicle for interweaving solos by Young and Basie. Eddie Jefferson, pioneer of vocalese, wrote lyrics for the composition, calling his version “I Got the Blues”.